Bound, 2021, acrylic, rope, plastic, strap, staples, polyester on timber, 1020 x 1220 mm.
Photograph: Peter Morgan and Robin Hearfield
Skin Shed, 2020, acrylic, vinyl, plastic, polyester on timber, 1390 x 1480 mm.
Photograph: Peter Morgan and Robin Hearfield
You could be my Peggy Guggenheim, 2021, acrylic, vinyl, rubber, polyester, staples on timber, 1950 x 1145 mm.
Photograph: Peter Morgan and Robin Hearfield
Magnetic, 2020, acrylic, vinyl, rubber, microfibre on plywood, 510 x 410 mm per board
Magnetic (detail)
Feminine Energy, 2020, acrylic, vinyl on marine plywood, 515 x 480 mm.
Photograph: Peter Morgan and Robin Hearfield
Blue Poles Rewired, 2021, acrylic, vinyl, staples, plastic, cable, polyester on timber, 1450 x 1010 mm.
Photograph: Peter Morgan and Robin Hearfield
Exposed, 2019, vinyl, bubble wrap, plastic on timber, 840 x 840 mm.
Photograph: Peter Morgan and Robin Hearfield
Ocean Sunset, 2021, acrylic, vinyl, polyester on timber
Ocean Sunset (detail)
Skeleton, 2020, acrylic, vinyl, rubber, staples, polyester on timber, 66 x 66 cm.
Photograph: Peter Morgan
Skeleton (detail)
The Big Peach, 2020, acrylic, tape, timber, plywood, on plywood, 120 x 120 cm
The Big Peach (detail)
Nook and Cranny, 2019, acrylic, tape, microfibre cloth, polyester on polyester, 97 x 97 cm
Nook and Cranny (detail)
Palate, 2019, acrylic, vinyl, polyester on polyester and timber, 81.5 x 66 cm
Work in Progress Home Grown: The Tenacious Realm exhibition, 2019, Incinerator Art Space
Responding to the curatorial theme of The Tenacious Realm - considering how community can be resilient to future shocks and chronic stresses - the assemblage, Work in Progress, explores social marginalisation, isolation and fragmentation in contrast to acceptance and belonging.
Outside Looking In Vivid Ideas’ Future Abstract exhibition, 2019, Art Space
Outside Looking In is a site-specific installation that surveyed 33°47′44″S 151°11′00″E - The Concourse at the heart of Chatswood, where it was assembled and exhibited for Future Abstract. Using Google Earth technology, digital imagery of the surveyed location was employed as a rectified readymade, allowing for a rudimentary beginning to a process of abstraction.
In Situ 2019, Articulate
A collaborative installation with Jo Morrow + Belinda Wincote, created and exhibited within the confines fo the Articulate gallery space and three week time frame. Photographs: Ella Ottaviano.
Road to Nowhere, 2018, Untitled, 2018 + Orbit, 2018
Road to Nowhere, 2018, acrylic, vinyl, oil pastel, paper, card on corrugated plastic, 140 x 180 cm.
Photograph: Peter Morgan
Untitled, 2018, acrylic, vinyl, paper, card, polyester, linen, tape on corrugated plastic, 180 x 160 cm
Deconstructions, 2018, acrylic, vinyl, paper, card on corrugated plastic.
Photograph: Ella Ottaviano
Tipsy Turvy, 2018, acrylic, vinyl, polyester, corrugated plastic on linen, 106.5 x 132.5 cm.
Photograph: Ella Ottaviano
Flapper, 2018, acrylic, vinyl, polyester, linen, drafting film, tape on linen, 162.5 x 160.5 cm.
Photograph: Peter Morgan and Robin Hearfield
Flapper (detail)
Not All Mapped Out, 2018, acrylic, vinyl, polyester, linen, corrugated plastic, tape, balsa wood on linen, 191 x 200 cm.
Photograph: Peter Morgan and Robin Hearfield
Out of the Loop, 2018, acrylic, vinyl, polyester, linen, paper, corrugated plastic on linen, 141 x 147.5 cm.
Photograph: Peter Morgan and Robin Hearfield
Imprint, 2018 + Separate Entities, 2018
Imprint, 2018, acrylic, vinyl, polyester, paper, tape on polyester, 53.5 x 53.5 cm.
Photograph: Peter Morgan and Robin Hearfield
Separate Entities, 2018, acrylic, vinyl, polyester, microfibre cloth, corflute, tape on polyester, 63 x 53.5 cm.
Photograph: Peter Morgan and Robin Hearfield
Solar Burn, 2018, acrylic, vinyl, polyester on linen, 66 x 66 cm.
Photograph: Peter Morgan and Robin Hearfield
Cramp, 2018, acrylic, vinyl, paper, card, drafting film on plywood, 90 x 60 cm